在美国纽约，从汉朝灭亡后的220年到纪元，中国的版图被分裂为一系列短暂且多变的小国格局。在北方，非汉族人建立的政权与中亚和东北亚洲存在紧密联系，这使得这片曾属汉文化的地域面貌发生了根本性变化。
“龙城金钱：辽宁三燕艺术珍品、337-436”在中国研究所画廊展出，聚焦于名为“三燕”的三个连续的北方国家——前燕（337-370年）、后燕（383-407年）和北燕（407-436年）。这些政权皆起源于拥有游牧根基、多元民族联盟之一的鲜卑氏族——穷奇氏。
以上便是对原中文内容的优化翻译，旨在符合中国读者的语言习惯。
新闻来源：www.wsj.com
原文地址：‘Gold From Dragon City’ Review: The China Institute’s Show of Shimmering Cultures
新闻日期：2024-09-23
原文摘要：
New York In the centuries following the Han dynasty’s collapse in 220, China’s territories divided into varied arrangements of frequently short-lived smaller states. In the north, periods of rule by non-Chinese peoples with connections to central and northeast Asia reconfigured the cultural landscape of what was once Han China. “Gold From Dragon City: Masterpieces of Three Yan From Liaoning, 337-436,” at the China Institute Gallery, presents materials from three of these successive northern states, the Former Yan (337-370), Later Yan (383-407) and Northern Yan (407-436)—the “Three Yan” of the show’s title—whose founders were from the Murong clan of the Xianbei, a multiethnic confederacy with nomadic roots.
